아직 해설이 없습니다
이 작품의 첫 번째 기여자가 되어보세요.
공연 전 해설을 이메일로
매주 목요일 오전, 이번 주 공연 해설을 큐레이션해서 보내드려요. 가입 없이 이메일만으로 구독할 수 있어요.
정확하지 않은 내용이 있나요? 직접 수정에 참여할 수 있습니다.
로그인 후 정보를 보완할 수 있습니다.
아직 추천 녹음이 등록되지 않았습니다. Spotify에서 직접 검색해보세요.
로그인 후 댓글을 작성할 수 있습니다.
아직 댓글이 없습니다. 첫 댓글을 남겨보세요!
Petrushka (French: Petrouchka; Russian: Петрушка) is a ballet by Russian composer Igor Stravinsky. It was written for the 1911 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine and stage designs and costumes by Alexandre Benois, who assisted Stravinsky with the libretto. The ballet premiered at the Théâtre du Châtelet on 13 June 1911 with Vaslav Nijinsky as Petrushka, Tamara Karsavina as the lead ballerina, Alexander Orlov as the Moor, and Enrico Cecchetti as the charlatan. Petrushka tells the story of the loves and jealousies of three puppets. They are brought to life by the Charlatan during the 1830 Shrovetide Fair (Maslenitsa) in Saint Petersburg. Petrushka is in love with the Ballerina, but she rejects him as she prefers the Moor. Petrushka is angry and hurt, and curses the Charlatan for bringing him into the world with only pain and suffering in his miserable life. Because of his anger, he challenges the Moor. The Moor, who is bigger and stronger than Petrushka, kills him with his scimitar. The crowd watching is horrified, and the Charlatan is called to the scene as well as a police officer. The Charlatan reminds everyone that Petrushka is nothing but a puppet made of straw and cloth, and that he has no real emotion nor 'life'. As the crowd disperses, the Charlatan is left alone onstage. At that moment, Petrushka's ghost rises above the puppet theatre as night falls. He shakes his fist and thumbs his nose at the Charlatan, making him flee, terrified. Petrushka then collapses in a second death. Petrushka brings music, dance, and design together in a unified whole. It is one of the most popular of the Ballets Russes productions. It is usually performed today with the original designs and choreography. Grace Robert wrote in 1946, "Although more than thirty years have elapsed since Petrushka was first performed, its position as one of the greatest ballets remains unassailed. Its perfect fusion of music, choreography, and décor and its theme—the timeless tragedy of the human spirit—unite to make its appeal universal".